Wool Coat on a Toronto Rush-Hour Subway

Rush hour on the Toronto subway, her coat buttoned to the throat, the wearable vibrator cycling through its third setting while she stands pressed against strangers, keeping her face entirely professional — she is counting stops, managing herself the way she manages quarterly reports, every muscle a controlled decision.

Mild

The Controlled Commute

489 words · 3 min read

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Six stops. She had counted them before she boarded at Woodbine, the way she counted line items before a board presentation. Six stops to St. George, then the walk, then the elevator, then her desk a sequence she could manage. She stood near the centre doors with her hand around the overhead bar, her wool coat buttoned from collar to knee, her face arranged into the expression she wore in meetings when someone was wrong but not yet worth correcting.

The car was full. A man in a parka pressed against her left shoulder. A woman with a rolling suitcase occupied the space to her right. Neither of them could see anything. This was the fact she had returned to, again and again, since Broadview.

Five stops.

The third setting had come on between stations, the cycle she'd set that morning with the specific, deliberate calm of someone adjusting a thermostat. She had not anticipated that standing would change the geometry of it. Sitting at her kitchen table it had been manageable, a low persistent hum she could acknowledge and set aside. Standing, with the weight of the coat pressing down and her thighs held together by the simple fact of the crowd around her, it was something else. The pressure had nowhere to go. It stayed.

She breathed in through her nose. Held it for two counts. Released it and the exhale came out fractionally longer than she'd intended, a length she felt in her sternum before she heard it.

She adjusted her grip on the overhead bar. Her left hand was the one holding it, the cold metal a thin wire of sensation against her palm. Her right hand hung at her side inside the coat pocket, fingers loose around nothing, because if she closed them around anything she didn't trust what the rest of her would do.

Four stops.

The coat was heavy. That was the word for it not warm, not structured, but heavy, its weight distributed across her shoulders and pressing the fabric of her skirt flat against the tops of her thighs. She was aware of that pressure the way she was aware of her own pulse: constantly, and with the specific irritation of something she could not turn off by deciding to.

The train slowed into Pape. The doors opened. Cold air moved through the car, a brief blade of it against the back of her neck where her hair was pinned up, and she felt the contrast sharply the cold at her nape, the heat that had been building, quietly and without her permission, somewhere considerably lower.

She did not shift her weight. She did not cross her ankles. She watched the doors.

Three stops.

The sound of the car settled back into its rhythm, and so did the third setting, and she stood there in her charcoal coat among strangers, her face entirely professional, and counted.

Hot

Bloor Line, Held Perfectly Still

505 words · 3 min read

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Three stops.

The cycle shifted without warning not to a fourth setting, she hadn't touched anything but something in the rhythm changed, a brief stutter and then the same pulse, the same third setting, arriving differently. She didn't know why. She knew only that her right hand, still loose inside her coat pocket, closed around nothing, and that closing it had been a decision she'd made approximately one second after her hand had already made it.

Mid-scene teaser

Her face was fine. Below the collar it was a different accounting. The third setting moved through its cycle.

Spicy

Third Setting, King Station

534 words · 3 min read

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King Station.

The doors had not opened yet. She had one hand around the overhead bar and her coat buttoned to the throat and the third setting still cycling, and she knew with the same precision she brought to revenue forecasts that she had approximately forty seconds before the platform appeared and the doors parted and she could walk to the elevator and be done with this.

Mid-scene teaser

Then the breath came back. Through her nose, uneven, in two parts — a catch and then the rest of it — and her jaw closed, and she looked at the advertisement until it was an advertisement again. The doors opened.

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