Glass Dildo in a Vancouver Condo at Pre-Dawn

Pre-dawn in the Vancouver condo, rain on the floor-to-ceiling glass, and I'm documenting everything — the specific weight of the glass dildo cold then warm, the way I bring my fingers to my lips after and note the taste the way a scientist notes a result: precise, interested, unashamed.

Mild

What the Rain Witnesses

475 words · 3 min read

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The rain has been doing this for an hour hitting the glass in patterns I keep almost predicting and then don't. I've been watching it the way I watch most things: with the part of my mind that wants to record before it wants to feel. The city below is amber and grey, the light coming through the water in slow moving lines that cross the ceiling above the bed and then cross my legs and then move on.

I note that I am awake. I note that it is 4:47. I note the glass on the nightstand, where I set it before I slept, and the specific way it holds the light not reflecting it exactly, more like storing it, the way cold things hold temperature until they don't.

The sleep shirt is thin enough that I can feel the air in the room, which is cooler than the bed. I've been in the bed. I'm sitting up now, back against the headboard, knees loosely together, the cotton hem resting across my thighs at the exact place where my legs stop being warm and start being cool. I am aware of this boundary the way I am aware of most boundaries: as information worth recording.

I pick up the glass.

The weight of it is specific heavier than it looks, denser than it has any right to be for something that size. Cold. Not uncomfortably cold, but cold in a way that communicates itself immediately to the palm, and then to the fingers wrapping around it, and then I note this carefully to somewhere below my sternum that contracts slightly in response. Not anticipation exactly. Recognition. My body has done this accounting before and knows what comes next even when I'm still in the observation phase.

I set it against my thigh, through the fabric, and hold it there.

The cold comes through the cotton in about four seconds. I count them. The fabric warms against it slowly, and somewhere in that exchange cold surface, warm skin, thin cloth the only translation between them my exhale comes out longer than I put it in. Unplanned. I note that too.

My left hand is flat against the mattress. My right hand holds the glass along my thigh, not moving yet. The rain shifts register on the window harder now, then softer, like something adjusting its approach.

I am aware of the hem. Where it sits. The few inches of air below it.

I am aware of my own warmth, already, before I have done anything.

I move the glass to the inside of my knee and rest it there, and my knees which have been loosely together do not stay that way. The parting is small. Barely a parting at all.

But I note it.

Hot

Glass and Rain

497 words · 3 min read

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The glass is on the nightstand. I've been looking at it for three minutes. I note this the looking, the three minutes, the fact that my knees have opened another inch since I last measured.

I reach for it the way I reach for anything I intend to study: deliberately. My right hand closes around the shaft and the temperature communicates itself immediately still cold, the same cold it had against my thigh, but different now because I know where it's going and my body has already begun its accounting.

Mid-scene teaser

The withdrawal as deliberate as the approach, the glass emerging warm now, warmed completely, the temperature exchange finished. I bring it back. My free hand finds the hem of the sleep shirt and holds it bunched against my stomach, the washed cotton soft under my fingers, and I am aware of how I look — knees open, back still against the headboard, jaw doing the thing I cannot manage — and I note this as I note everything: clinically, and with interest.

Spicy

She Noted the Taste

527 words · 3 min read

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The glass is warm now. I note this the temperature exchange completed, my body having won the argument the cold started and I bring it back anyway, past the threshold, to the depth that earlier required a breath. I don't require the breath this time. I take it anyway. Slower now. More deliberate. My hips are no longer against the headboard. At some point they moved forward, toward the instrument, and I record this as I record everything: without judgment, with interest. The pace is my own. Not rhythm documentation. I withdraw it fully, return it fully, name what I feel at the deepest...

Mid-scene teaser

My face, in the dark window, is not performing anything — jaw loose, lips parted, the expression of someone in the middle of exact measurement with no instrument left to hold steady. The contraction moves through me in sequence: once, twice, a third time smaller, and on the third I exhale through my teeth and the sound is a long, shapeless thing that the rain covers. I hold the glass where it is.

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